![]() At the end of his aforementioned Facebook post, he. “And yet they want to use it to make Facebook and Instagram more powerful than it already is so that it can continue to censor all of us in this room and prevent this story about Julian Assange getting out into the general public so the general public can go, ‘What? No. If one still required proof that the campaign against musician Roger Waters is deeply reactionary and aims to silence any opposition to. And when I mention the Pink Floyd website, I also mean the Facebook. Speaking at an event in New York to advocate for the release of Julian Assange. 373K views, 11K likes, 3.4K loves, 3.2K comments, 2.3K shares, Facebook Watch Videos from Roger Waters: An announcement from me. In front of assembled press, Waters read from the letter: “We feel that the core sentiment of this song is still so prevalent and so necessary today, which speaks to how timeless the work is.” Grouchy former Pink Floyd bassist/vocalist Roger Waters launched an expletive-laden attack on human-impersonating Facebook CEObot Mark Zuckerberg after receiving a request from Instagram to use one of his songs in a promotional film. No f-ing way.” As some members of the crowd laughed and cheered, he also noted that he’d been offered “a huge, huge sum of money” for his permission, but would “not be a party to this bullsh–.” A spokesperson for Facebook denied that Zuckerberg was involved in the marketing campaign or letter requesting use of the song in any way. But there’s things like Pink Floyd that stuck around.Pink Floyd’s Roger Waters revealed Facebook approached him to use “Another Brick in the Wall, Part 2” for an Instagram ad and he said, “F- you.”Īt a pro-Julian Assange event last week first reported on by Rolling Stone, Waters explained that the letter seeking permission to use the ad had arrived from Facebook founder and CEO Mark Zuckerberg that morning and his answer was, “F- you. ![]() That was a dinosaur kind of culture that went away. But there’s only so long that that lasts. There was also hair metal that was vapid and just about getting laid and getting fucked up. Again, we grew up in an era that kind of valued that. “Everyone likes what they like, but there is something to be said about having some kind of heart within your music. Roger Waters has written an open letter to Russian President Vladimir Putin, asking him to end the Ukraine war. Howerdel goes on to argue that hair metal followed similar trends back in the day, and names this as the reason why Pink Floyd’s popularity outlasted the “dinosaur culture” of the ’80s mainstream metal tradition: Pink Floyd’s Roger Waters had a rather blunt response to Mark Zuckerberg after the Facebook founder asked him if one of his songs could be used in a promotional film for Instagram. And that’s not a good thing in the long run.” And some of it is great… and some of it that gets more attention is crafted to the algorithm. APRIL I ROYAL ARENA This Is Not A Drill - Europaturné Det er med glæde, at vi (Live Nation Denmark) kan annoncere, at Roger Waters tager turen tilbage til Danmark med sin turné, «This Is Not A Drill», næste år Legenden står på scenen i Royal Arena 17. Bob Dylan made significant contributions to the music scene with his much-appreciated works, such as ‘Blowin’ in the Wind’ and ‘The Times They Are a-Changin’,’ which came out in the. Before performing the song ‘The Bar (reprise),’ he apologized to Bob Dylan for stealing his lyrics. A lot of music now is written by algorithm, whether it’s intentional, or not, you’re in there with a corporate mentality. Roger Waters recently took the stage in Columbus as a part of his ‘This Is Not A Drill’ tour. “I guess there’s still enough people that do want music that commands their attention, instead of, ‘Yeah, I can’t wait to skip to the next thing.’ The dopamine hit of whatever algorithm is. Later on, Howerdel argued that one of the reasons for Pink Floyd’s enduring popularity is that it stands in contrast to contemporary music designed to bank on “dopamine hits”: German antisemitism officer voices disapproval of Roger Waters concert. But David Gilmour’s playing was the steady foundation, admirable. It was kind of weird, and I don’t even know how you describe his vocals, but somewhat unhinged, sort of in-tune but a little bit more insane asylum singing. That was one of the first records that I had liked to sing. ‘The Wall’ was the record that i really liked singing. And for me… I mean, I played ‘The Wall’ mostly. ![]() It’s just whatever you’re wired for, whatever touched you. “The quantity versus quality kind of argument – and there’s no right answer. “David Gilmour was always the one that gave almost an unspoken permission to be like, ‘You didn’t need so many notes.’ It was the space between the notes, it was the way that you play. ![]()
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